1859 Marble. Harriet Hosmer portrayed Zenobia, a 3rd-century queen of Palmyra (near present-day Syria), as a prisoner of the Roman Empire. Marble sculpture of the Syrian queen, Zenobia, depicting a female figure wearing a crown, robe, sandals, a chain and shackles. Purchased with The Virginia Steele Scott Acquisition Fund for American Art 2007.28. Change ), You are commenting using your Facebook account. Zenobia in Chains. St. Louis Art Museum, Zoomed image of sculpture. Change ), Guerrilla Girls, Benvenuti alla Biennala Feminista!, 2005, Barbara Kruger, Your Gaze Hits the Side of My Face, 1981. Her face is expressionless, regardless of how much pain or distress she is in. 1 Moat Crossing 2 Steps of Knowledge 3 Temple Games 3.1 Wrap the Golden Chains (Climbing Wall) 3.2 Gift of Gold (Bungee Soap Ramp) 3.3 Rebuild Palmyra (Pulley Pillar) 4 Temple Run 5 Watch Episode 6 References One player of each team paddled across the moat on a raft. Although defeated, the queen possesses a regal bearing and wears an elaborate dress.
The iconography in this piece comes from the extended meaning of its subject, Queen Zenobia, in chains. She conquered Egypt and reigned until Roman forces overpowered her armies and captured her. As Hosmer wrote, “I have tried to make her too proud to exhibit passion or emotion of any kind; not subdued, though a prisoner; but calm, grand, and strong within herself.”. The main difference in this work as compared to other renditions is that Hosmer is telling a different story through her iconography. dog years .
She saw in Zenobia an embodiment of a woman’s ability to move beyond the constraints placed on her. Some male critics doubted that Hosmer, a woman, had the skill to make such a monumental work, but her fellow American sculptors in Rome, notably Story, avered in the press that it was entirely by Hosmer, 1151 Oxford Road San Marino, CA 91108 626-405-2100© The Huntington Library, Art Museum, and Botanical Gardens, © The Huntington Library, Art Museum, and Botanical Gardens, History of Science, Medicine, and Technology, NEW: Virtual School Programs for Fall 2020, The Shapiro Center for American History & Culture, USC-Huntington Early Modern Studies Institute, Huntington-USC Institute on California and the West, Residential Institute in the History of Science, Technology, and Medicine, Mellon Summer Institute in Spanish Paleography. All of this is iconographically linked to the place of women in the 1800s when she was working.
TEACHERS New: Virtual School Programs for Fall 2020, TEACHERS & STUDENTS NEW: Virtual School Programs for Fall 2020, SUPPORT THE HUNTINGTON Give the Gift of Membership, Purchased with The Virginia Steele Scott Acquisition Fund for American Art 2007.28. In the legend, when Emperor Aurelian saw Zenobia's dignity and beauty while shackled, he freed her. Zenobia's stoic mien is modeled upon figures in ancient Greek sculptures, who remain expressionless regardless of pain or distress. Create a free website or blog at WordPress.com. ( Log Out /
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