shotgun willie artist


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[23] The recording led Nelson to a new style; he later stated regarding his new musical identity that Shotgun Willie had "cleared his throat. [25][26], Rolling Stone wrote: "With this flawless album, Willie Nelson finally demonstrates why he has for so long been regarded as a Country & Western singer-songwriter's singer-songwriter ... At the age of 39, Nelson finally seems destined for the stardom he deserves". Back to the unlike match og Nelson and The Muscle Shoals producers, besides resulting in this artistically great album - Nelson best IMO - it also benefits from great production. The recording marks a change of style for Nelson, who later stated that the album cleared his throat. His popularity in Austin soared as he played his own brand of music that was a blend of country, folk, and jazz influences.
The song would become a staple of Nelson’s live show and he would later say, "He knocked me out...I understood how his image – with his crazy stovepipe hat and dark aviator glasses – added to his mysterious allure.

[8] Wexler had encouraged Nelson after singing the gospel album to start with the new one, to couple old material with new, and covers.

[11][12] He completed the rest of the song with a reference to John T. Floore, owner of the honky-tonk Floore's Country Store. Nelson and his backup musicians, the Family, were joined by Doug Sahm and his band. Is it more rare, or possibly more sought after? "[10] It became his breakthrough record, and one of the first of the outlaw movement, music created without the influence of the conservative Nashville Sound. With 200 of the country’s most gorgeous entertainers and 10,000 sq. If there were slips and flubs, they stayed in. Nelson drove to Lana's house, where he fought with her husband Steve Warren, and threatened to kill him if he repeated the assault. [10] The title of the song refers to the nickname Nelson received after his daughter, Susie, warned him of the domestic abuse suffered by her sister Lana. Shotgun Willie was released in June 1973. Scrobbling is when tracks the music you listen to and automatically adds it to your music profile. Maybe so, but I thought of it more as clearing my throat."[15].

A new version of is available, to keep everything running smoothly, please reload the site. On my 1973 vinyl instruments are placed distinct and open in a great soundscape. ★★★★★☆ Wow, not much of a country fan but an admirer of Willie Nelsons vocals, I picked this album just earlier today to realize a classic was in my hands.

Music. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in, Willie Hugh Nelson (born April 29, 1933) is an American musician, actor, and activist. Waylon Jennings joined the backing band playing guitar, and provided backing vocals for "Stay All Night (Stay a Little Longer)", along with Jessi Colter and Doug Sahm. [27] Robert Christgau wrote: "This attempt to turn Nelson into a star runs into trouble when it induces him to outshout Memphis horns or Western swing. [20] Several journalist were on hand during the recording, like Ed Ward from Creem, who later commented, "I'd underestimated the professionalism of all concerned, not to mention the core ensemble of musicians themselves, who decided to test the sound of the studio with a spirited version of 'Under the Double Eagle,' which left me awestruck: Willie wasn't only a great songwriter, he was a goddamn virtuoso on that battered Martin guitar of his! [9] He initially recorded twenty-three tracks along with his and Sahm's band, but Nelson still was not inspired. [13] After hearing the completed song, Wexler decided that the album was to be named after it. 936 Followers, 780 Following, 1,406 Posts - See Instagram photos and videos from Kristin (@shotgun.willie)

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Creative Commons Attribution-ShareAlike License. Shotgun Willie is the sixteenth studio album by Willie Nelson, released in 1973. Another guest was Atlantic Records vice-president Jerry Wexler, who previously had produced works for artists such as Ray Charles and Aretha Franklin. Austin's burgeoning hippie music scene at venues like Armadillo World Headquarters rejuvenated the singer.

6. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial suc…, Willie Hugh Nelson (born April 29, 1933) is an American musician, actor, and activist. I took the song the way it was but adapted it to my style, which was more blues than rock. Nelson was effusive in his praise for Wexler, whose laid-back, encouraging approach was the antithesis of what he had experienced in Nashville in the past: During the recording, there were rumors that there would be appearances by George Jones, Leon Russell, and Kris Kristofferson that ultimately did not happen. Start the wiki. Shotgun Willie/ High Tide Jimmy Guest Appearance. View credits, reviews, tracks and shop for the 1973 Cassette release of Shotgun Willie on Discogs. Go directly to shout page. Just signed to Atlantic this was Nelson's first album for the label and it finds him in the unlike hands of the r&b and soul producers Arif Mardin, Jerry Wexler and David Briggs - all of The Muscle Shoals studios, Alabama, fame. When they returned later, Nelson took English's M1 Garand and shot the truck, causing them to surrender. In his autobiography he remembers, "In 1972, Johnny Bush called me with part of a song he’d written with Paul Stroud. Doug Sahm and his band were also invited to the sessions. [22], The album was released in June 1973.

Shotgun Willie encapsulates Willie's world view and music, finding him at a peak as a composer, interpreter, and performer.

Just curious. The recording marks a change of style for Nelson, who later stated that the album "cleared his throat". Willie Hugh Nelson (born April 29, 1933) is an American musician, actor, and activist. See All.

Following a recording session, he wrote "Shotgun Willie"—the song that would become the title track of the album—on the empty packaging of a sanitary napkin while in the bathroom of his hotel room. Leave feedback, Willie Hugh Nelson (born April 29, 1933) is an American musician, actor, and activist. He writes and sings with the love and the hurt and the down-to-earth things he feels, and he has a few peers. I love this album, but it is not a very good sounding version - not sure if it's the mastering or pressing, or what, but no bueno. Reshen solved the problems with RCA and signed Nelson with Atlantic Records as their first country music artist. ft of space to admire them, Shotgun Willie’s is the perfect destination for the modern gentleman looking to blow off some steam. Beyond the mystery, though, I heard that his musical roots and mine were the same: Hank Williams, Bob Wills, country black blues..."[19] Nelson would record the duet album One for the Road with Russell in 1979. The copy I had was very distorted like it had groove wear when new. [30] School Library Journal wrote: "Willie Nelson differs (from) rock artists framing their music with a country & western facade — in that he appears a honky-tonk stardust cowboy to the core. The recording was one of the first albums of outlaw country—a new subgenre of country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time.

7 of the 12 songs are Nelson originals, the title song is great. "[29] Texas Monthly praised Nelson and Wexler regarding the change in musical style:"They've switched his arrangements from Ray Price to Ray Charles—the result: a revitalized music. Wexler was interested in Nelson's music, so when Atlantic opened a country music division of their label, he offered Nelson a contract that gave him more creative control than his deal with RCA. In Nashville, Nelson met producer Jerry Wexler, vice president of Atlantic Records, who was interested in his music. Of the five cover songs, two are lesser known Bob Wills western swing tunes and two songs Nelson picked from his contomporary college Leon Russell.

"[21], Parts of the album were recorded in the Quadraphonic studios in Nashville, as well as in the Sam Phillips Recording studio in Memphis. [2] Nelson, who had felt creatively hamstrung by RCA's strict recording practices in Nashville and frustrated at not being permitted to use his touring band in the studio, immediately felt a kinship with this younger audience: During a trip to Nashville, Tennessee, Nelson attended a party in Harlan Howard's house, where he sang the songs that he had written for the album Phases and Stages.

Not sure what it was mastered from - but it sounds like digital in a bad way - the highs are grainy and awful sounding - the newly released "Spirit" on vinyl blows this away. The men shot at the house with .22 caliber rifles. "[17] The album includes Johnny Bush's Whiskey River". The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardus…. Can anyone tell me why this particular pressing fetches such a high price?

Soon after Nelson returned home, Warren arrived in his truck with his brothers. Let us know what you think of the website.

16. This album abounds in unabashed sentimentalism, nasal singing, lyrics preoccupied with booze, religion, and love gone bad, and stereotyped Nashville instrumentation (twangy steel guitars, fiddles, and a clean rhythm section characterized by the minimal use of bass drum and cymbals, both of which gain heavy mileage with rock performers). 40. 29. anyone knows if it was mastered from analog or digital source? [24] It peaked at number 41 on Billboard's album chart and the songs "Shotgun Willie" and "Stay All Night (Stay A Little Longer)" peaked at number 60 and 22 on Billboard Hot 100 respectively. The album, produced mostly by Arif Mardin with assistance from Wexler and longtime Neil Young collaborator David Briggs, included covers of two Bob Wills songs—"Stay All Night (Stay a Little Longer)" and "Bubbles in My Beer"—that were co-produced by Wexler. Live @Mulligans Pointe. [16] In his book Willie Nelson, Joe Nick Patoski notes the recording of the album "was sloppy and chaotic, technically and artistically uneven, with horns and strings occasionally bumping up against the musical core of Bee Spears, Paul English, Bobbie Nelson, Jimmy Day, and Willie...The music was more country than what was being played on the radio but somehow different.

"[5] When Nelson was released from his RCA contract, he signed with Atlantic for US$25,000 per year, becoming the label's first country artist.

"[5] In his autobiography Nelson later recalled, ""I'd never heard a record man talk that way. They play a variety of genres including blues, country, Motown, pop, and classic rock all the way up to and including modern influences such as Kid Rock ! One comes to think of Dylan's "Wedding song" from the same year. [6] During the first session, Nelson recorded the songs for The Troublemaker. Most of the tracks were produced by Arif Mardin, with the exception of the two Bob Wills and His Texas Playboys covers, "Stay All Night (Stay a Little Longer)" and "Bubbles in My Beer," which were produced by Mardin and Jerry Wexler. [6], which would go on to be Nelson's perennial show opener.

The r&b approach to several songs on the album seems to have soaked up the best of Nelson, to have lifted the singer and the songwriter out of the country Willie. [6], The recording sessions took place in February 1973,[7] Wexler provided Nelson and his band with a studio in New York City, where most of the recordings were produced. Shotgun Willie is the sixteenth studio album by Willie Nelson,

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