dwight yoakam this time songs

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With production help from Dusty Wakeman, longtime producer and guitarist Pete Anderson was able to add depth and dimension to an already full sound, where the echoes of early rock and soul entwine the honky tonk tempos and instruments and become something wholly other.

After inadvertently (and unwillingly) being credited with creating the new traditionalist movement, Yoakam takes his hard-edged country influences from Buck Owens, Johnny Horton, Ray Price, and Merle Haggard and expands them to include new instruments and textures as well as voices -- one can hear in these broken love songs the voice of Gene Pitney as well -- and come up with something new again. “Ain’t That Lonely Yet” is an orchestrated mid-tempo song in which the narrator has just left his lover because of what she has put him through. "A Thousand Miles from Nowhere" was featured as the closing credits music for the film Red Rock West, in which Yoakam also made his film acting debut. Two other tracks also rose into the charts: "Try Not to Look So Pretty" at No. Two other tracks also rose into the charts: "Try Not to Look So Pretty" at #14 and "Pocket of a Clown" at #22. As AllMusic critic Thom Jurek notes, “…in Kostas Yoakam found a writer as interested in textures as in unique ways to use his voice. Discover releases, reviews, credits, songs, and more about Dwight Yoakam - This Time at Discogs. 4 on the Top Country Albums chart.

The album itself hit #4 in the Country Albums chart. This Time remains the biggest selling album of Yoakam’s career, going triple platinum. 14 and "Pocket of a Clown" at No. Yoakam renewed his songwriting collaboration with Kostas, which started on his previous album, composing four of the LP’s eleven tracks with him. Kostas' lush approach to melody is not alien to Yoakam's as demonstrated by the tunes Dwight penned himself -- "Pocket of a Clown" (with a doo wop backing chorus in swing harmony) and the devastating ballads "A Thousand Miles From Nowhere" and "Home for Sale," among others. And Kenny Rogers, for better or worse, made Kenny Rogers music. (Fellow musician Kelly Willis does a cameo appearance as the young woman standing in a shallow stream.) Three of its tracks barely missed the top spot on the Billboard Hot Country Singles charts, each topping out at #2: "Ain't That Lonely Yet," "A Thousand Miles from Nowhere," and "Fast as You."
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Strings conducted and arranged by Paul Buckmaster and contracted by Suzy Katayama. Last Chance for a Thousand Years: Dwight Yoakam's Greatest Hits from the 90's, https://en.wikipedia.org/w/index.php?title=This_Time_(Dwight_Yoakam_album)&oldid=971255365, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with album ratings that need to be turned into prose, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 August 2020, at 01:00.
"Wild Ride" was later covered by Kenny Chesney as a duet with Joe Walsh on Chesney's 2007 album Just Who I Am: Poets & Pirates. First off, we made country music. The album itself peaked at No. While still rooted in country, This Time sees Yoakam branching out far beyond the honky-tonk sound of his early albums. Complete your Dwight Yoakam collection. Arguably the most impressive performance on the album is “Home for Sale,” which sounds like a sequel to “The Heart That You Own” from his previous LP If There Was a Way, and utilizes the B3 Hammond organ that was introduced on that album. Wish there was a vinyl release! Buck Owens' spirit appears on "This Time," a song that, while deep in the Bakerfield groove, has a more elegiac tone thanks to Yoakam's songwriting collaboration with country songsmith legend Kostas (who first worked with Yoakam on If There Was a Way); they wrote half the album together.

Billboard Hot Country Singles & Tracks for the week of June 26, 1993 and eventually peaked at #2. This Time is no sell out; it's a new way to present the timelessness of hard, torn, wasted-love country love songs with less reckless sentimentality and more honest emotion.”. Six years after his monumental debut recording, Guitars, Cadillacs, Etc., Etc., Dwight Yoakam is still delivering the goods.

'Two Doors Down' is a stunning example, as is the lone cover on the disc, by Kostas and James House, 'Ain't That Lonely Yet,' where Yoakam moves into Roy Orbison territory with strings and lush backdrops that meld Bakersfieldwit…

Yoakam and Kostas also collaborated on the title track, a Buck Owens–inspired groove that Yoakam would introduce in concerts as “psychobilly.”. Buck Owens' spirit appears on "This Time," a song that, while deep in the Bakerfield groove, has a more elegiac tone thanks to Yoakam's songwriting collaboration with country songsmith legend Kostas (who first worked with Yoakam on If There Was a Way); they wrote half the album together. I wanted Dwight to be in that stratosphere[2]. 22. This album is a welcome addition to Yoakam's formidable catalog. It was Johnny Cash music. The remaining originals are rooted in country, with the kitschy “Pocket of a Clown” hearkening back to his earlier cover of Lefty Frizzell’s “Always Late with Your Kisses” with its prominent background singers, and “Lonesome Roads,” which almost verges on a country and western cowboy parody if not for Yoakam’s utterly sincere vocals.

Similar to Dwight Yoakam - This Time, but glass mastered at Specialty and CD pressed by Allied. The songs Yoakam wrote on his own showed continued artistic growth, especially on “A Thousand Miles from Nowhere, which Anderson told the Journal of Country Music was “one of the more experimental songs Dwight has ever written,” and added the song’s long outro was inspired by “Layla” by Derek and the Dominos. "Two Doors Down" is a stunning example, as is the lone cover on the disc, by Kostas and James House, "Ain't That Lonely Yet," where Yoakam moves into Roy Orbison territory with strings and lush backdrops that meld Bakersfield with Pitney's conceptual mini-soundtracks and the arrangements on Jim Reeves' best records. Paul Buckmaster, known for his work with Elton John, provides the string arrangement on the track, which reached #2 on the country singles chart. She tries to win him back with phone calls and notes (left on his door) but the narrator denies his former lover and tries to convince himself that he "ain't that lonely yet," or not lonely enough to return to her. Take the first half of Buenos Noches From a Lonely Room and add a marvelously played Hammond B-3 courtesy of Skip Edwards and keep the downer flow going and you got it. This Time is the fifth album by American country music artist Dwight Yoakam. Great album. Some of the lyrics in the refrain ("time don't matter to me" and "there's no place I wanna be") also describe his feelings of apathy and disinterest with everything else around him. The song's narrator is dealing with the aftermath of the end of his relationship with his significant other, and the breakup is causing him to feel sad, lonely, and lost. But that’s okay. Country music is not where I’ll remain, but it’s a place I’ll always return to.”[4] Although This Time was not a number one country album nor produce any chart-topping singles, it was Yoakam’s biggest album, going triple platinum and even made the top twenty-five of the pop charts. We were bound by the constraints of making a good country record…But whatever Johnny Cash was, Johnny Cash made Johnny Cash music. 'Two Doors Down' is a stunning example, as is the lone cover on the disc, by Kostas and James House, 'Ain't That Lonely Yet,' where Yoakam moves into Roy Orbison territory with strings and lush backdrops that meld Bakersfield with Pitney's conceptual mini-soundtracks and the arrangements on Jim Reeves' best records. Rolling Stone magazine gave it four stars.

With production help from Dusty Wakeman (Lucinda Williams' self-titled and Sweet Old World albums), Pete Anderson was able to add depth and dimension to an already full sound. Was it country, was it folk, was it Americana, was it rockabilly? The music video was directed by Yoakam with the help of Carolyn Mayer (according to some sources) and features Yoakam riding on a Copper Basin Railway train across the Arizona desert, and is shown in two frames showing mostly different views of the train and Yoakam. As AllMusic critic Thom Jurek notes, “…in Kostas Yoakam found a writer as interested in textures as in unique ways to use his voice. Another hit from Yoakam’s pen was “Fast As You,” which, propelled by its circular “Pretty Woman”-like guitar hook and smoky keyboards, also hit #2 on the country singles chart and landed on the Billboard Hot 100, peaking at #70 and representing Yoakam's commercial zenith. [4] It debuted at #72 on the U.S. The echoes of early rock and soul entwine the honky tonk tempos and instruments and become something wholly other. Three of its tracks barely missed the top spot on the Billboard Hot Country Singles charts, each peaking at No. But in Kostas Yoakam found a writer as interested in textures as in unique ways to use his voice. Art Direction, Guitar, Lead Vocals, Backing Vocals, Dobro, Lap Steel Guitar, Pedal Steel Guitar. 2: "Ain't That Lonely Yet," "A Thousand Miles from Nowhere," and "Fast as You," the latter being his last Top 10 single. AllMusic: “This album is a welcome addition to Yoakam's formidable catalog. This Time is no sell out; it's a new way to present the timelessness of hard, torn, wasted-love country love songs with less reckless sentimentality and more honest emotion. Yoakam wrote or co-wrote all except for one of the tracks on this album. This Time is not a party record in the way his first pair of albums were. Anderson later stated the LP was an attempt to fulfill the artistic mission started with the previous album If There Was a Way and create a distinct musical identity: I wanted to get to a point where we made Dwight Yoakam music. Anderson, who used Pro Tools for the album,[3] also admitted putting “A Thousand Miles from Nowhere” on the album was the biggest decision of all, since it was so unlike anything Yoakam had recorded before,[4] and the singer himself admitted to Us in 1993, “Oftentimes we’re not doing country music anymore. Yoakam renewed his songwriting collaboration with Kostas, which started on his previous album, composing four of the LP’s eleven tracks with him.

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